The vase’s cup was made of transparent glass containing bubbles; it was cased with yellow glass, and thin lavender creases sandwiched between their layers. Engraving on the inlaid autumn crocus flowers to express the layers of flowers, generating expanding space at the top of the vase. The metallic foil sandwiched beneath the labender-colored petals adds color. (『没後120年 エミール・ガレ:憧憬のパリ』サントリー美術館、2024年)
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