This work is similar to No.19 in the admixture of metal oxide powders to the glass and the hammer-mark-like cuts applied to its surface. The conch shells and other motifs engraved on the body suggest that this work presents a view in the sea. With advances in oceanography in the latter half of the nineteenth centry, Gallé became intensely interested in the sea and the beings that live there.(『没後120年 エミール・ガレ:憧憬のパリ』サントリー美術館、2024年)
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