In the background, we glimpse the blue sky between the trees. In the middle distance, trees are rendered three-dimensionally, fusing elements to the body of the vase. The leaves and branches attached around the exterior of the mouth and the foot are the forefround, closing in before the viewer’s eyes. The reduction flame processed hues, or patiné, around the trees suggest trees of a great age. (『没後120年 エミール・ガレ:憧憬のパリ』サントリー美術館、2024年)
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